安卓软件-免费软件站-免费vps加速器外网-狗急加速器破解版

安卓软件-免费软件站-免费vps加速器外网-狗急加速器破解版

On paper, the pairing might sound a bit puzzling: a seminal melodic hardcore-turned-pop punk band from the turn of the millennium touring with a darling indie-punk outfit born a full decade later. But it’s the yin and yang of Chris Conley and Barry Johnson – respective frontmen of Saves The Day and Joyce Manor – that make their two bands such perfect partners for a co-headlining tour.

安卓软件-免费软件站-免费vps加速器外网-狗急加速器破解版

In today’s oversaturated punk rock culture — one that includes subgenres and artists that have been commercialized, parodied and meme-ified – the legend of Jeromes Dream might sound like satire to an uninformed outsider: Performing with their backs to their audiences, with a singer who yelps without a microphone over frenzied guitar riffs and drum fills, the band released two albums in the span of two years, and promptly broke up with no sign of ever reforming. But any true hardcore punk fan knows that it’s the other way around: Jeromes Dream were the OGs, and all the watered-down “screamo” bands who followed just bastardized the band’s trademarked violent style….

安卓软件-免费软件站-免费vps加速器外网-狗急加速器破解版

For most rock fans, Woodstock ’99 is remembered within the frames of breaking MTV News updates, interrupting episodes of Daria with terrifying images of an apocalyptic hellscape in flames. But for a relative few, Woodstock’s third incarnation will forever live as a series of gnarly, grody, jarring experiences that they can feel as much as see in their memories.

I know – I was there. While Woodstock ’99 was a cautionary tale for a lot of rockers, it was three days of total madness for me. And looking back on it, what’s even more troubling than how gross it all got (the greed and lack of foresight of its promoters; the subsequent sexual misconduct, arson, and theft of its frustrated attendees), is that it was also the most fun I’d ever had in my life.